Tag Archives: 2Parts

Hag At The Churn

This weeks shared drum score was written earlier this year for a medley for the international band Cross Borders Pipe Band. It was written to be the last tune of the selection following a 9/8 jig. That thing is sweet in general – from 9/8 to 6/8 jig is like starting a tempo party or something. Since the tune itself is rather short, this arrangement is made for playing the tune twice. On the repeat the pipers will play harmonies, and drums will layer their re-entry towards the 2nd part of the tune.

One of the most fun stuff about writing this drum score was, to write the Continue reading

Bathgate Highland Gathering

This weeks shared drum score was written for the tune Bathgate Highland Gathering.

The drum score was created for the Cross Borders Pipe Band – who will be competing at the Worlds in August 2019 in grade 3B. It’s made as the intro of a medley. Since writing the drum score, we’ve decided to NOT repeat the 1st part to give more time for other stuff later in the medley. In some spots of the tune we arranged the tune slightly different (holding some notes longer) to give more space for Continue reading

High Road To Gairloch

This drum score was written for a Danish drum corp earlier in the year for the 2/4 march High Road To Gairloch. It was meant to fill out a spot in a competition march set for beginner drummers. The level was made to beginner to allow every drummer in the corp to play along. To me the key of the tune is the ending of each part – therefore I wrote the drum score to follow this part of the tune very closely. The most challenging part of the drum score is probably Continue reading

Loudens Bonnie Woods & Braes

This drum score was written this past week for a pipe band in Holland. The PM of the band wrote me a note saying thanks for the drum scores on the site, and said that they had made use of some of the shared drum scores. At the same time he asked wether I had drum scores for a few tunes that they had been working on. I emailed him back that, as a thanks for the kind words, I would write them a drum score for one of the tunes. So, here we go.

The drum score is written for the beginner level however it does have some more challenging bits in there. For example the ending of the 1st lines of the parts could be played Continue reading

Oh Susanna

This drum score was written for an old traditional american folk song called Old Susanna. It was written to make it possible for beginner piper and drummers to play together at an early stage. Usually the tune would be played twice through with no repeats of each part.

The drum score follows the tune very closely (I hope you’ll be able to hear that and hum along) and is fairly easy, yet leaving a bit of space for some challenging parts, such as Continue reading

Paddy Be Easy

This drum score was written a few years back for a grade 4 band. It was written to be part of a concert set which would allow all the drummers to play along. The level of the drum score is therefore set to beginner level and is relatively easy to execute. It’s also my experience that the piping tune is fairly easy to execute for the pipers, which makes this tune and also the drum score a good choice for any band at any level. Notice, this drum score is only made for two parts. A way of arranging this tune, in a medley for example, could be to Continue reading

Iain MacDonald

This weeks shared drum score was written in 2015 for the introduction of the medley of Balagan to compete at the World Championships. It’s made by myself and the LD Louise O. Lindhardtsen some late night after a band weekend rehersal with the band. I really like this tune and the drum score as well. It has a really nice swing to it and at the same time comes across as something very traditional. As we wrote the drum score, the PM of the band gave us some ideas for breaks and accentuations throughout the drum score. I really enjoy the lift of the endings as well – although a little bit tough to execute – if played nicely, I find that the Continue reading

Sweet Maid of Glendaruel

This drum score is another one for the tune Sweet Maid of Glendaruel and was written a few years back for a grade 4B to compete at the World Pipe Band Championships. This one is written directly to fit the tune all the way through, but it’s also a bit more daring in the sense of being a little jazzy on the endings. In the first line of the drum score, it’s very much following the beat of the tune – suitable for marching in. Again – like in the other shared drum score for this tune – there’s loads of space to Continue reading

Sweet Maid of Glendaruel

This drum score of the week was written for a Danish grade 4 band to be a drum score for everyone to be able to play. It’s based around a standard 2/4 drum setting with 3rd&4th bar and the ending being repeated throughout. Therefore it was evident that the remaining bars would follow the tune very closely to create good ensemble. The important issue when playing this drum score is to be able to express the Continue reading

Vimy Ridge Academy

This drum score was written last week in preparation for teaching at a summer school. The tune is written by Michael Grey and is a strong march written in 7/4. The idea of the drum score was to underline the tune with a strong beat1 of each bar and at the same time have enough variations to make it exciting for the players and for the listeners to play and listen to. The dynamics in the drum score is mainly made from Continue reading

Rattle & Hum

This drum score was written a few days ago for a group of students, suggested by one of the students, who had heard the tune played by Balagan in the end of the medley. Since the drum score played in Balagan was too much of a challenge, I wrote another drum score, who better fit the level of the experienced students, yet not on the advanced level. The drum score is made much to support the rhythmic feel in the tune as well as being very rudimental in the way it’s written with for example the Continue reading

Lochanside

This drum score was written for a grade 4 drum corp and for a very nice tune – Lochanside. The idea was to make the drum score very ensemble secure. For example the first two bars are very much on the beat and in sync with the piping tune. My favourite part of the tune is the transition from line 1 to 2 in the last part, so of course I had to highlight that somehow in the drum score. I decided to make Continue reading